Bibliography

This is the bibliography for the whole blog. Individual bibliographies can be found at the end of each post.

Allen, R., 1995. Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge University Press

Max Atkinson, Our Master’s Voices: The Language and Body Language of Politics, 1994, Routledge

Baerwaldt, W., 2001. ‘Phantoms of Paradise’. In: Cardiff, J., Bures Miller, G., (ed) 2001. The Paradise Institute. Canada: Plugin Editions pp3

Brandon LaBelle, Background Noise: Perspectives on Sound Art, 2015, Bloomsbury

Balsom, E., 2013. Exhibiting Cinema in Contemporary Art. Amsterdam: Amsterdam University Press

Bloemheuvel, M.,  Guldemond, J., (ed) 1999. Cinéma Cinema, Contemporary Art and the Cinematic Experience. Eindhoven: Stedelijk Van Abbemuseum

Bolt, B., 2004. Art Beyond Representation: The Performative Power of the Image. London: I.B. Tauris

Cardiff, J., Bures Miller, G., (ed) 2001. The Paradise Institute. Canada: Plugin Editions

Cardiff, J., Bures Miller, G., Kölle, B., ‘I Wanted to Get Inside the Painting: Bridget Kölle in Conversation with Janet Cardiff and Georges Bures Miller. In: Cardiff, J., Bures Miller, G., (ed) 2001. The Paradise Institute. Canada: Plugin Editions pp 9-23

Chion, M., trans. Gorbman, C., 2003. Film, A Sound Art. Chichester: Columbia University Press

Michel Chion, Sound: An Acoulogical Treatise, 2016, Duke University Press

Michel Chion, Audio-Vision: Sound on Screen, 1994, Columbia University Press

Michel Chion, The Voice in Cinema, 1999, Columbia University Press

Dreyfus, H.L., 1991. Being-in-the-World: A Commentary on Heidegger’s Being and Time, Divison 1. London: The MIT Press

Richard Dryer, Only Entertainment, 1992, Routledge

Caryl Flinn, Strains of Utopia: Gender, Nostalgia, and Hollywood Film Music,  1992, Princeton University Press

Farrell Krell, D., (ed) 2001. Martin Heidegger: Basic Writings. London: Routledge

Greg Goodale, Sonic Persuasion: Reading Sound in the Recorded Age, 2011, University of Illinnois

Hardwick, E., (ed) 1982. A Susan Sontag Reader. London: Penguin Books.

Heidegger, M., trans. Macquarrie, J., Robinson, E., 2008. Being and Time. London: Harper Perennial.

Martha Hollander, An Entrance For The Eyes: Space and Meaning in Seventeenth Century Dutch Art, 2002,  University of California Press

Don Ihde, Listening and Voice: Phenomenologies of Sound, 2007, State University of New York Press

Jay, M., 1994. Downcast Eyes: The Denigration of Vision in Twentieth – Century French. Berkeley: University of Califonia Press

King, G., 2000. Spectacular Narratives: Hollywood in the Age of the Blockbuster. London: I.B.Tauris

King, G., 2002. New Hollywood Cinema: An Introduction. London: I.B.Tauris

Kocklemans, J.J., 1985. Heidegger on Art and Art Works. Lancaster: Martinus Nijhoff Publishers

Neil Lerner, Nostalgia, Masculinist Discourse and Authoritarianism in John Williams’ Scores for Star Wars and Close Encounters of the Third Kind. In: Off The Planet: Music, Sound and Science Fiction Cinema, edited by Philip Hayward, 2004, John Libbey Publishing

Levin, D.M., (ed) 1993. Modernity and the Hegemony of Vision. London: University of California Press.

Fred Moten, In The Break: The Aesthetics of the Black Radical Tradition, 2003, University of Minnesota Press

Fredric Jameson, Postmodernism or, The Cultural Logic of Late Capitalism, 1991, Duke University Press

Rancière, J., trans. Elliott, G., 2007. The Future of the Image. London: Verso

Rees, A.L., (2nd Edition) 2013. A History of Experimental Film and Video. London: British Film Institute

Steve Roden, Active Listening. In: Sound, edited Caleb Kelly, 2011, Whitechapel Gallery

Ross, A., 2007. The Aesthetic Paths of Philosophy: Presentation in Kant, Heidgeer, Lacoue-Labarthe, and Nancy. Stanford: Stanford University Press

Schrader, P., 1972. Transcendental Style in Film: Ozu, Bresson, Dreyer. Berkeley: Da Capa Press.

Sobchack, V., 1992. The Address of the Eye: A Phenomenology of Film Experience. Oxford: Princeton University Press

Vivian Sobchack, The Address of the Eye: A Phenomenology of Film Experience, 1992, Princeton University Press

Sontag, S., from: ‘Against Interpretation’. In: Hardwick, E., (ed) 1982. A Susan Sontag Reader. London: Penguin Books.

Stokes, M., Maltby, R., (ed) 2001. Hollywood Spectatorship: Changing Perceptions of Cinema Audiences. London: British Film Institute

David Toop, The Art of Noise. In Tate Etc, Issue 3: Spring 2005

van de Vall, R., 2008. At the Edges of Vision: A Phenomenological Aesthetics of Contemporary Spectatorship. Aldershot: Ashgate

Young, J., 2001. Heidegger’s Philosophy of Art. Cambridge: Cambridge University Press

The Trail of Joan of Arc, 1962. [DVD] Directed by Robert Bresson. London: Artificial Eye

Interview with Robert Bresson. In: The Trail of Joan of Arc, 1962. [DVD] Directed by Robert Bresson. London: Artificial Eye

Wakefield, T., 2014. Archives online: British Pathé’s Death Jump – Eiffel Tower (1912). Sight & Sound Magazine, Online Exclusive [website] accessed from <http://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/bytes/archives-online-british-path-s-death> [Last accessed 6th November 2015]